Flamenco can dance group or solo. The term Flemish covers a wide variety of songs, dances and guitar styles. The music is based on a harmonic system closely related to Arabic music and cross rhythms of North Africa. The guitar is used in both single flamenco to accompany the voice or dancing with lighted melodies, strumming and percussion. In the nascent romantic spectacle, voice occupied the site of honor in a gradual way, doing the flamenco a story Sung and narrated in the first person. It was common then that the singer himself or the singer accompanied with the guitar music. The curfew also grew and, at maturity, guitarist claimed a place provided for their individual achievements.
Dancing, singing and guitar joined again, with each element, more polished and perfected. But the dancing, singing and guitar are not the only thing that matters in the world of flamenco: there is also the flamenco fashion. The origin of flamenco fashion and flamenco costume goes back to the clothing with which women flocked to primitive cattle fairs. Much of the traffickers of these rustic events were Gypsies and peasants, and their clothes were simple robes while surmounted with two or three flyers. Little by little these humble garments for enhancement that made of the female figure, were putting fashion, so that the upper classes began to imitate by attending the cattle fairs, the clothing of the most humble. The suit of flamenco has evolved with the years.
Thus the roughness of the first fabrics was defeated with the profusion of ruffles, which printed by walking a more jacarandoso air. Features clearly opted with the passage of time: peak, round or square neckline, hair collected in mono, belted waist that opens in hips by way of flower and the all-important Accessories: flowers in the hair, necklaces, earrings, Manila shawls. The exhibition of Seville of 1929 served as a consecration of the suit of flamenco and the acceptance by the affluent classes as essential to go to the fair outfit.